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Shooting High School Football – 12 tips


Photographing high school football can challenge and reward you. The combination of low ambient light, artificial lighting, and fast motion can result in strange, blurry, impeccable images. Here are some tips that will allow you to capture the best football images.

first Location. The closer you are to the edge of the track, the better. If you clean with coaches and officials, you can let it stand on the edge of the track. Make sure you are alert to the sudden interference in your area. Or you may have to shoot behind the "fence", but you can still get great recordings from that location.

2nd Camera support. A strong monopod is indispensable. You need mobility, so the three-legged is exposed to the question and because of the hand-held images, the images blur when the camera is shaken. Have a monopod on a rotating mount to switch from portrait to landscape.

3rd ISO. Set the ISO (sensitivity) of the camera to high, so you can record faster shutter speeds. Usually the 1200-1600 is a good setting. Images will not be as clear as low ISO, but the additional exposure space is worth it. Some newer Nikon dSLRs can perform well in the ISO3200 family.

4th Lock speed. I recommend a 1/100 second or faster shutter speed. 1/250 stops most operations. Experiment with a shutter speed that ensures the right balance between exposure and movement freezing. Creative shots are 1/20 or slower and you can hold your camcorder very strongly on monopods – a lot of player movement and a few standing moves are seen in a sharp area.

5th Sagittarius. The widest compartment, the better it is to facilitate the shutter speed and reduce the depth of focus. This puts the background in the background and puts the emphasis on the central theme. I recommend f / 2.8 lens and aperture to lenses, or the lowest one is handled by the camera / lens combination. If you set your ISO value and set the camera to Shutter Priority and record the speed, the camera selects the aperture value. If the combination is not enough to get good illumination, the camera will likely blink to alert you to underexposure. In this case, I suggest lowering underexposed values ​​to maintain speed and increase the image in postprocessing. Or pinch ISO and shutter speed to reach a good exposure range.

6th No Flash. Given the distance from the objects, very little or no benefit will appear and this will disrupt the camera to take exposure decisions that are not good for the image.

7th Focus. I suggest focus and fast shutter speed settings. This forces the camera to use the center of the image to adjust exposure and focus, and the camera with a quick fire will perform several operations.

8th White Balance. The stadium lights are different in color than sunlight. You can select auto white balance, but you should check the camera's custom white balance function. This usually means recording a white object and the camera evaluates the center of the image to find a white or gray pattern for custom white balance adjustment. Or you can shoot the raw material and paste the white balance into post-processing. Editing Tip – If you want to see something in the image that is pure white or gray, you can use the color editing feature of the image editing program to set up the white link and post it.

ninth Composition. Various shooting types are available. Static shots, scrimmage lines, pads or huddles, whatever goes. For action bouts, try to put the ball driver near the center but not exactly centered and try to get an accurate picture of the eyes if you can.

10th Zoom range. Telephoto allows you to get closer to each player, but want to deliver a wide-angle lens to reach larger field or audience footage. The second lens makes it more flexible.

eleventh Editing. Try some black and white pictures to emphasize the darkness of the game. The fruit is close to emphasizing action. Press the contrast to gain more emotional effect.

12th Sharing. Consider digital and printed instances for the team and coaches. Offer a site for sharing or selling, depending on your professional status and the quality of your pictures. The yearly team will evaluate photos and local papers. Check with athletic amplifiers – you may want to use pictures in their programs or end-of-year banquets for slideshows.

Have fun shooting and stay on your toes!

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